Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.
Among the most famous of secular poetry is Carmina Burana, a manuscript collection of 254 poems. Twenty-four poems of Carmina Burana were later set to music by German composer Carl Orff in 1936.
Examples of medieval poetry
Old English religious poetry includes the
poem Christ by
Cynewulf and the poem
The Dream of the Rood, preserved in both
manuscript form and on the
Ruthwell Cross. We do have some
secular poetry; in fact a great deal of medieval literature was written in verse, including the Old English epic
Beowulf. Scholars are fairly sure, based on a few fragments and on references in historic texts, that much lost secular poetry was set to music, and was spread by traveling
, or
, across Europe. Thus, the few poems written eventually became
or lays, and never made it to being recited without song or other music.
Medieval Latin literature
In medieval
Latin, while verse in the old quantitative meters continued to be written, a new more popular form called the sequence arose, which was based on accentual metres in which metrical feet were based on stressed
rather than
vowel length. These metres were associated with
Christianity .
However, much secular poetry was also written in Latin. Some poems and songs, like the Gamblers Mass ( officio lusorum) from the Carmina Burana, were parody of Christian hymns, while others were student melodies: folksongs, love songs and drinking ballads. The famous commercium songs Gaudeamus igitur is one example. There are also a few narrative poems of the period, such as the unfinished Epic poetry Ruodlieb, which tells us the story of a knight's adventures.
Topics
Medieval Latin poets
Medieval vernacular literature
One of the features of the
Renaissance which marked the end of the medieval period is the rise in the use of the
vernacular or the language of the common people for literature. The compositions in these local languages were often about the legends and history of the areas in which they were written which gave the people some form of national identity.
,
, chansons de geste and
acritic songs (songs of heroic deeds) were often about the great men, real or imagined, and their achievements like
King Arthur,
Charlemagne and
El Cid.
The earliest recorded European vernacular literature is that written in the Irish language. Given that Ireland had escaped absorption into the Roman Empire, this had time to develop into a highly sophisticated literature with well-documented formal rules and highly organised bardic schools. The result was a large body of prose and verse recording the ancient Irish mythology and sagas of the Gaelic-speaking people of the island, as well as poems on religious, political and geographical themes and a body of nature poetry.
The formality which Latin had gained through its long recorded history was often not present in the vernaculars which began producing poetry, and so new techniques and structures emerged, often derived from oral literature. This is particularly noticeable in the Germanic languages, which, unlike the Romance languages, are not direct descendants from Latin. Alliterative verse, where many of the stressed words in each line start with the same sound, was often used in the local poetry of that time. Other features of vernacular poetry of this time include kennings, internal rhyme, and slant rhyme. Indeed, Latin poetry traditionally used meter rather than rhyme and only began to adopt rhyme after being influenced by these new poems.
Romance languages
Old French
-
trouvere
-
Anglo-Norman literature
-
Roman de la Rose
-
Chanson d'aventure
-
Debate poetry
The Matter of France
The Matter of Britain
The Matter of Rome
-
Roman d'Alixandre ( Alexander Romance)
-
Roman de Troie
-
Roman de Thèbes
-
Aeneid
-
Troilus and Criseyde
Occitan
Catalan
Italian
Spanish
Galician-Portuguese
French
-
Wace
-
Chrétien de Troyes
-
Marie de France
-
Guillaume de Machaut
-
Jean de Meung
-
Christine de Pizan
Medieval Georgian Poetry
The Knight in the Panther's Skin
Shen Khar Venakhi (tr: "You are vineyard")
Ioane Shavteli (tr: "Slave of the Messiah")
Germanic languages
Alliterative verse
Medieval English poetry
Medieval German poetry
Medieval Greek poetry
Medieval Celtic poetry
Welsh
Irish
-
Metrical Dindshenchas
-
Lebor Gabála Érenn
-
Táin Bó Cúailnge
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Contention of the bards
-
see also: Irish poetry
Further reading
External links